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Patti Abbott is on the road, so I'm filling in this week. Look back to Pattinase next week for the next list of links.
Yvette Banek: The Robot Book by Robert Malone (with Seymour Chwast)
Paul Bishop: Bullet Hole by Keith Miles
Bill Crider: Happy New Year, Herbie and Other Stories by Evan Hunter
Scott Cupp: Science Made Stupid by Tom Weller
William F. Deeck: Murder Rehearsal by Roger East
Loren Eaton: The Queen's Gambit by Walter Tevis
Barry Ergang (at Kevin Tipple's blog): The Last Best Hope by Ed McBain
Cullen Gallagher: the Guild series by Ed Gorman: Guild; Death Ground; Blood Game; "Guild and the Indian Woman"; Dark Trail
Barry Gardner: You Can Die Trying by Gar Anthony Haywood; The Man with No Time by Timothy Hallinan
Jerry House: Mr. Fox and Other Feral Tales by Norman Partridge
Dorte Jakobsen: The Last Place by Laura Lippman
Randy Johnson: Mordred by John Eric Holmes, from outline by Larry Niven and Jerry Pournelle (an authorized sequel to the novel which introduced "Buck" Rogers)
George Kelley: One Night Stands and Long Weekends by Lawrence Block
Rob Kitchin: The Whispers of Nemesis by Anne Zouroudi
K. A. Laity: Tales from Moomin Valley by Tove Jansson
B. V. Lawson: The Oxford Book of American Detective Stories edited by Tony Hillerman and Rosemary Herbert
Doug Levin: Dead Skip by Joe Gores
Evan Lewis: The Mark of Zorro by Johnston McCulley
Todd Mason: The Best of Saki edited by Graham Greene; Theories of Everything: Cartoons by Roz Chast 1978-2006 (see below***)
Neer: Murder of a Martinet by ECR Lorac
John F. Norris: The Prisoner (aka Les Louves) by Pierre Boileau and Thomas Narcejac
Richard Pangburn: Nightcap by JCS Smith; The Gentlemen's Hour by Don Winslow
James Reasoner: Too Hot to Hold by Day Keene
Karyn Reeves: Fontamara by Ignazio Silone
Richard Robinson: The Game by Laurie R. King
Ron Scheer: Lin McLean by Owen Wister
Kerrie Smith: Murder in Advent by David Williams
Dan Stumpf: Lori by Robert Bloch
Jim Winter: Night Shift by Stephen King
Related matters:
Martin Edwards: Enid Schantz, RIP
Frederik Pohl: SF Publishing Through the Ages (with Fred)
***FFBs: The Best of Saki, selected and with an introduction by Graham Greene (Viking, 1961; Penguin, 1977); Theories of Everything: Cartoons by Roz Chast 1978-2006 (Bloomsbury, 2006)
If most people would have a quibble with Graham Greene's slender but rich slice of the collected short fiction of H. H. Munro, it would probably be the absence of "The Interlopers," that deft suspense story (and one that librarians and booksellers, those vanishing breeds, are often quizzed about); if I have another, it would be the similar absence of "Laura." Most of Munro's other most brilliant, usually at least wryly humorous horror and suspense stories are here, from the understandably inevitable "Sredni Vashtar" to the delightful "The Reticence of Lady Anne", and the first two stories I read by Saki/Munro, "The Open Window" and "Gabriel-Earnest"...and I much preferred the latter as a child and still do, though then in part because I wasn't quite sure of the meaning of "romance" in context. Greene selects at least a few stories from each of the Saki collections, leaning most heavily on the third and fourth of the five, and not skipping the purely satirical or nearly so, such as the story-within-the-story of "The Story-Teller"...Munro was very much of the Edwardian school of smartasses that also included such brilliant amphibians in both horror and comedies of manners as E. F. Benson, and was one of the painful losses of the literary world in World War I; Greene, not altogether unfamiliar with work in this mode himself, notes Munro's kinship to such survivors of traumatic childhood as Dickens and Kipling, and also his kinship in wit with Oscar Wilde (and certainly the title story of his last, posthumous collection, "The Toys of Peace," not collected here, is also notable for its somewhat despairing sentimentality, also in common with some of Wilde's late work). While omnibuses of the complete works have been available for some time, this selection makes a fine introduction...it's also notable that in Munro's short, war-ended career, his one science fiction novel (of two novels published) predicted a future war between Britain and Germany, When William Came.
Roz Chast is probably the best of the New Yorker cartoonists to arise in the latter half-century...clearly influenced by her predecessors in that magazine (David Remnick notes in his introduction that she was particularly drawn to the work of Peter Arno, George Price and, most of all, Charles Addams) and such others as Jules Feiffer and Gahan Wilson, she's a protean talent, and much given to deadpan and the kind of sideways yet intense scrutiny of daily lives that in its turn, I think, has helped inspire such folk as Lynda Barry and Peter Bagge; her early simple gag panels (such as her first New Yorker contributions in '78 reprinted here) soon gave way to often elaborate strips alternating with single-panels that featured her most familiar sorts of characters, who often look hunched and apprehensive at the best of times, and usually for good reason (I don't know how much the underground comix cross-riffed with her work, but she and no few of the artists there developed along similar paths). One of the finest things I've plucked while flensing the most convenient Borders carcass, this one, sadly, has been at least partially remaindered by its publisher...so look for inexpensive copies wherever dumped books are sold.
Yvette Banek: The Robot Book by Robert Malone (with Seymour Chwast)
Paul Bishop: Bullet Hole by Keith Miles
Bill Crider: Happy New Year, Herbie and Other Stories by Evan Hunter
Scott Cupp: Science Made Stupid by Tom Weller
William F. Deeck: Murder Rehearsal by Roger East
Loren Eaton: The Queen's Gambit by Walter Tevis
Barry Ergang (at Kevin Tipple's blog): The Last Best Hope by Ed McBain
Cullen Gallagher: the Guild series by Ed Gorman: Guild; Death Ground; Blood Game; "Guild and the Indian Woman"; Dark Trail
Barry Gardner: You Can Die Trying by Gar Anthony Haywood; The Man with No Time by Timothy Hallinan
Jerry House: Mr. Fox and Other Feral Tales by Norman Partridge
Dorte Jakobsen: The Last Place by Laura Lippman
Randy Johnson: Mordred by John Eric Holmes, from outline by Larry Niven and Jerry Pournelle (an authorized sequel to the novel which introduced "Buck" Rogers)
George Kelley: One Night Stands and Long Weekends by Lawrence Block
Rob Kitchin: The Whispers of Nemesis by Anne Zouroudi
K. A. Laity: Tales from Moomin Valley by Tove Jansson
B. V. Lawson: The Oxford Book of American Detective Stories edited by Tony Hillerman and Rosemary Herbert
Doug Levin: Dead Skip by Joe Gores
Evan Lewis: The Mark of Zorro by Johnston McCulley
Todd Mason: The Best of Saki edited by Graham Greene; Theories of Everything: Cartoons by Roz Chast 1978-2006 (see below***)
Neer: Murder of a Martinet by ECR Lorac
John F. Norris: The Prisoner (aka Les Louves) by Pierre Boileau and Thomas Narcejac
Richard Pangburn: Nightcap by JCS Smith; The Gentlemen's Hour by Don Winslow
James Reasoner: Too Hot to Hold by Day Keene
Karyn Reeves: Fontamara by Ignazio Silone
Richard Robinson: The Game by Laurie R. King
Ron Scheer: Lin McLean by Owen Wister
Kerrie Smith: Murder in Advent by David Williams
Dan Stumpf: Lori by Robert Bloch
Jim Winter: Night Shift by Stephen King
Related matters:
Martin Edwards: Enid Schantz, RIP
Frederik Pohl: SF Publishing Through the Ages (with Fred)
***FFBs: The Best of Saki, selected and with an introduction by Graham Greene (Viking, 1961; Penguin, 1977); Theories of Everything: Cartoons by Roz Chast 1978-2006 (Bloomsbury, 2006)
If most people would have a quibble with Graham Greene's slender but rich slice of the collected short fiction of H. H. Munro, it would probably be the absence of "The Interlopers," that deft suspense story (and one that librarians and booksellers, those vanishing breeds, are often quizzed about); if I have another, it would be the similar absence of "Laura." Most of Munro's other most brilliant, usually at least wryly humorous horror and suspense stories are here, from the understandably inevitable "Sredni Vashtar" to the delightful "The Reticence of Lady Anne", and the first two stories I read by Saki/Munro, "The Open Window" and "Gabriel-Earnest"...and I much preferred the latter as a child and still do, though then in part because I wasn't quite sure of the meaning of "romance" in context. Greene selects at least a few stories from each of the Saki collections, leaning most heavily on the third and fourth of the five, and not skipping the purely satirical or nearly so, such as the story-within-the-story of "The Story-Teller"...Munro was very much of the Edwardian school of smartasses that also included such brilliant amphibians in both horror and comedies of manners as E. F. Benson, and was one of the painful losses of the literary world in World War I; Greene, not altogether unfamiliar with work in this mode himself, notes Munro's kinship to such survivors of traumatic childhood as Dickens and Kipling, and also his kinship in wit with Oscar Wilde (and certainly the title story of his last, posthumous collection, "The Toys of Peace," not collected here, is also notable for its somewhat despairing sentimentality, also in common with some of Wilde's late work). While omnibuses of the complete works have been available for some time, this selection makes a fine introduction...it's also notable that in Munro's short, war-ended career, his one science fiction novel (of two novels published) predicted a future war between Britain and Germany, When William Came.
Roz Chast is probably the best of the New Yorker cartoonists to arise in the latter half-century...clearly influenced by her predecessors in that magazine (David Remnick notes in his introduction that she was particularly drawn to the work of Peter Arno, George Price and, most of all, Charles Addams) and such others as Jules Feiffer and Gahan Wilson, she's a protean talent, and much given to deadpan and the kind of sideways yet intense scrutiny of daily lives that in its turn, I think, has helped inspire such folk as Lynda Barry and Peter Bagge; her early simple gag panels (such as her first New Yorker contributions in '78 reprinted here) soon gave way to often elaborate strips alternating with single-panels that featured her most familiar sorts of characters, who often look hunched and apprehensive at the best of times, and usually for good reason (I don't know how much the underground comix cross-riffed with her work, but she and no few of the artists there developed along similar paths). One of the finest things I've plucked while flensing the most convenient Borders carcass, this one, sadly, has been at least partially remaindered by its publisher...so look for inexpensive copies wherever dumped books are sold.
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